Kirk Franklin’s New Release and Tour Dates
*Kirk Franklin has set trends, broken records, and reached millions through his music. Now he’s on the way to release his twelfth album, “Hello Fear” on March 22.
The project includes vocals from Isaac Carree, Anaysha Figueroa, Nikki Ross, and many more.
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Gospel Singer, DeJuaii Pace, Comes Out Of The Closet
A new show on the Oprah Winfrey Network debuted this week, following the progress of eight individuals who want to break their eating disorders.
One of the contestants on “Addicted to Food” is a gospel singer who is getting to the bottom of why she’s been overeating and says it’s related to her attraction to women.
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Deitrick Haddon- Church On The Moon
Imagine if you will, the superstar sparkle of Kirk Franklin and the bravado of Michael Jackson entangled around fashionable hip-hop beats and urban contemporary extravagance. It’s probably the safest way to describe urban gospel star Deitrick Haddon. He’s since dropped his choirboy image for the cool street evangelist look since 7 Days, his 2006 project produced by hip-hop duo Tim & Bob. On his fifth studio album for Verity, Haddon plays with the concept album motif of Ne-Yo’s Libra Scale to kick off a futuristic gospel sound that plays with the Legos of Lady Gaga and Black Eyed Peas. It’s highly ambitious, crammed tightly with eighteen tracks loaded with lots of cyber-pop and even Auto-tune. Club bounce surfaces on “Reppin’ the Kingdom,” where Haddon steps back from the spotlight to allow fellow gospel contemporaries J Moss, Canton Jones and Tye Tribbett to work in their verses. “Show Stopper” swerves into Chris Brown-style pop, while the Rodney Jerkins-produced “Power,” “One More Chance” and “Fighting Temptation” keeps him on the precipice of R&B crossover. Melodic ballads do offer up some needed balance on the lengthy set. His finest intimate moment, while staying in the realm of extraterrestrial fantasy, is “Gravity,” where Haddon deals with the pressures of Earth:”Wanna share with the world the peace that I’ve found/But gravity keeps on bringing me down.” Halfway into the set, the mood shifts from Lowrider crunk to worshipful gospel (“You Are My Strength,” “Well Done”).
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